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Posts by Sarah Birch

So We Live: The Novels of Alexander Baron, Five Leaves: ‘A resurrection from years of neglect’

By Sarah Birch | Friday 28 June 2019 at 18:59

This collection of essays examines the writer, who spent his formative years in Hackney, from a variety of angles

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Lee Krasner: Living in Colour, Barbican, exhibition review: ‘Smorgasbords of shape, movement and colour’

By Sarah Birch | Friday 31 May 2019 at 14:30

Nearly 100 works by the late American artist, who ‘came into her own’ following the death of husband Jackson Pollock, are on display in a major retrospective spanning her 50-year career

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The East End in Colour, 1980-1990, Tim Brown, book review: ‘A rich glimpse of a time gone by’

By Sarah Birch | Tuesday 28 May 2019 at 17:56

Former tube driver Tim Brown’s photographs are a ‘thought-provoking reminder of just how fast East London has changed’

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Island Song, Madeleine Bunting, book review: ‘A lyrical take on war-time Guernsey’

By Sarah Birch | Friday 26 April 2019 at 15:56

The Hackney-based author’s debut novel builds on her meticulous research into the occupation of the Channel Islands during the Second World War

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The Crucible, Yard Theatre, review: ‘A subtle alternative to the good versus evil binary’

By Sarah Birch | Sunday 7 April 2019 at 14:53

This ‘deft’, three-hour take on Arthur Miller’s classic play keeps the audience on tenterhooks

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Master – An Ainu Story, Sway Gallery, exhibition review: ‘A salutary reminder of the diversity of all identity’

By Sarah Birch | Friday 29 March 2019 at 18:15

Photographer Adam Isfendiyar talks to the Citizen about his experiences with one of Japan’s indigenous peoples

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Clean, Michele Kirsch, book review: ‘Harrowing and hilarious anatomy of addiction’

By Sarah Birch | Tuesday 19 March 2019 at 17:07

The Hackney-based writer’s engaging memoir is ‘part confession, part attempt to come to terms with a life misspent’

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An Opinionated Guide to East London, Hoxton Mini Press, book review: ‘Good browsing material’

By Sarah Birch | Friday 8 March 2019 at 17:41

The second edition of this guide to east London is a ‘handy source of ideas’

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In at the Deep End, Kate Davies, book review: ‘A dizzying variety of lesbian sexual mores’

By Sarah Birch | Friday 1 March 2019 at 19:02

The Stoke Newington author’s new novel ‘explodes the myth that same-sex relationships are any more loving and equal’

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Cacophony, Yard Theatre, review: ‘Vibrant drama that taps into #MeToo debate’

By Sarah Birch | Friday 22 February 2019 at 15:23

Seventeen young actors star in Molly Taylor’s energetic play inspired by Jon Ronson’s book on public shaming

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All About My Mother, Arcola Theatre, review: ‘Hamminess and high drama’

By Sarah Birch | Friday 15 February 2019 at 12:28

This stage adaptation offers a ‘good way to reminisce’ about the classic Spanish film

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JSS Bach, Martin Goodman, book review: ‘Searing pain endures for generations’

By Sarah Birch | Friday 1 February 2019 at 16:22

In a book twenty years in the making, the local author ‘treads delicately around identity, values and life purpose’

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Dead Girls, Abigail Tarttelin, book review: ‘Children know a lot, but they also get a lot wrong’

By Sarah Birch | Monday 28 January 2019 at 17:32

The Hackney-based author’s third novel puts young people at the centre of the action

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Trial TV, Secret Theatre, review: ‘An entertaining if slightly barmy evening’

By Sarah Birch | Friday 25 January 2019 at 16:46

Audience members turn detectives for this immersive murder mystery

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Bus Fare: Writings on London’s Most Loved Means of Transport, book review: ‘Enjoyable hop-on hop-off reading’

By Sarah Birch | Friday 4 January 2019 at 14:07

Journey through a rich collection of facts, fiction and memoires that chronicle the beguiling history of buses

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Civilization, Flowers Gallery, exhibition review: ‘Momentous proportions of contemporary life’

By Sarah Birch | Friday 14 December 2018 at 15:14

This selection of photographs from a new book beautifully documents modern life

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A Hero of Our Time, Arcola Theatre – review

By Sarah Birch | Friday 30 November 2018 at 22:15
“Was I put on this earth to destroy the hopes of others?” Oliver Bennett plays Pechorin. Photograph: Oleg Katchinsky

Fast paced and bursting with emotion, this is a new adaptation of Mikhail Lermontov’s neglected 1840 novel

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Regeneration Songs: Sounds of Investment and Loss from East London, book review: ‘Unusual in its diversity’

By Sarah Birch | Tuesday 20 November 2018 at 14:04

‘Real pleasure’ to be found in this 500-page collection of essays and literature centred around urban renewal

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Mark Thomas: Check-Up – Our NHS @ 70, Arcola Theatre, review: ‘Visceral yet entertaining’

By Sarah Birch | Monday 29 October 2018 at 15:06

The comedian’s well-researched diagnosis of our healthcare service is both alarming and uplifting

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Evros: Crossing the River, Arcola Theatre, review: ‘The horrors of forced displacement’

By Sarah Birch | Monday 22 October 2018 at 14:38

Seemia Theatre’s poetic tales of involuntary migration moved audience members to tears

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