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Posts by Gabriel Wilding

Daddy, Almeida Theatre, stage review: ‘Floundering in a sea of conflicting story arcs’

By Gabriel Wilding | Friday 22 April 2022 at 15:11

Jeremy O. Harris’s play has ‘undeniable beauty and skill’ but it is ‘simply too long and too busy’

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Caravel, Regent’s Canal, restaurant review: ‘Petite but perfectly formed offering’

By Gabriel Wilding | Friday 25 March 2022 at 11:54

The restaurant on a converted barge is ‘well worth the expense’

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La bohème, English Touring Opera, Hackney Empire, stage review: ‘Puccini is still master of the miserable’

By Gabriel Wilding | Thursday 10 March 2022 at 18:45

Despite a few ‘odd creative choices’, the classic opera’s ghoulish nature remains

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Patrick Watson, Jules Buckley & BBC Symphony Orchestra, Barbican, stage review: ‘A musical funhouse’

By Gabriel Wilding | Thursday 10 March 2022 at 10:40

Another example of why the Barbican’s pairing of popular music stars with classical orchestras works ‘so sublimely’

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Poulence La voix humaine, London Symphony Orchestra and Barbara Hannigan, Barbican, stage review: ‘Expansive talent’

By Gabriel Wilding | Tuesday 8 March 2022 at 10:14

Canadian conductor Hannigan shows why she is ‘such a unique force in classical music’

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Kontakthof, Tanztheater Wuppertal Pina Bausch, Sadler’s Wells, stage review: ‘Deeply funny and moving’

By Gabriel Wilding | Monday 7 February 2022 at 13:22

The late Bausch’s 1970s piece is still ‘theatrical gold’, even if the gender politics is outdated

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DakhaBrakha, Barbican, stage review: ‘Riotous explosion of colour and reinvention’

By Gabriel Wilding | Monday 7 February 2022 at 11:25

The Ukrainian folk band had the audience in the palm of their hands with a ‘frenetic blend of musical styles’

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Maxim Vengerov & Simon Trpčeski, Barbican, stage review: ‘Sweet, sweet music’

By Gabriel Wilding | Monday 7 February 2022 at 10:59

The acclaimed pair combine violin and piano to create a ‘transportive effect on the human heart’

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London Contemporary Orchestra: 24, Barbican, stage review: ‘Marathon concert offers an eye-opening view of music and humanity’

By Gabriel Wilding | Wednesday 19 January 2022 at 13:00

A day-long experience that saw the ‘old rules of theatre dissolve off the stage as the old rules of music were eroded on it’

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The Bourbon, Roman Road, food review: ‘Soul-warming gem’

By Gabriel Wilding | Monday 13 December 2021 at 13:48

Smokey meat and whiskey make for a ‘worthy addition to a road with an illustrious history’

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The Comedy of Errors, Barbican, stage review: ‘A Shakespeare classic reborn’

By Gabriel Wilding | Friday 3 December 2021 at 12:36

Often derided as the bard’s early ‘joke’ work, the famous farce is given a surprisingly smart update at the Barbican

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SAMSKARA, Yard Theatre, stage review: ‘Important but at times formulaic examination of Black masculinity’

By Gabriel Wilding | Wednesday 24 November 2021 at 14:30

Lanre Malaolu’s fusion of theatre and dance contains nuggets of gold, but loses punch in its predictability

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In Bed With My Brother: PRIME_TIME, Barbican, stage review: ‘Skewering of Jeff Bezos that sacrifices facts for funny’

By Gabriel Wilding | Friday 19 November 2021 at 12:28

This character assassination of the billionaire Amazon founder is amusing, but informative? Not so much.

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Maize Blaze, Hackney Wick, food review: ‘The right food for the right occasion’

By Gabriel Wilding | Wednesday 27 October 2021 at 15:13

The Colombian restaurant at Howling Hops Brewery is a ‘little unimaginative’ but perfect for soaking up the beers

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The Tragedy of Macbeth, Almeida Theatre, stage review: ‘Out to shock – and shock it does’

By Gabriel Wilding | Tuesday 19 October 2021 at 09:23

Yaël Farber’s star-studded take on the classic is elegant, but ‘both its visual beauty and horror are overexposed’

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Alter, Aldgate East, food review: ‘Stylish venue shaking up perceptions of vegan fare’

By Gabriel Wilding | Friday 15 October 2021 at 15:28

Chef Andy Goodwin has created a ‘gorgeous little spot’ on the first floor of the Leman Locke Hotel

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Athena, The Yard Theatre, stage review: ‘Snappy and violent tale set in the cutthroat world of competitive fencing’

By Gabriel Wilding | Tuesday 12 October 2021 at 14:28

Despite the show’s ‘lack of thrust’, playwright Gracie Gardner still manages to ‘strike at the heart’

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Ling Ling’s at The Gun, Well Street, food review: ‘So delectable that they will be fighting people off with a stick’

By Gabriel Wilding | Friday 24 September 2021 at 14:32

The ‘feisty’ new Asian fusion spot above an East End boozer will ‘charm you completely’

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Double Murder, Sadler’s Wells, stage review: ‘Unevenness that technical skill cannot temper’

By Gabriel Wilding | Friday 17 September 2021 at 14:32

Despite ‘beautiful moments’, this two-in-one show ‘lurches from one extreme to the other’

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Hopes & Fears, Arcola Outside, stage review: ‘Beauty buried in pain’

By Gabriel Wilding | Thursday 16 September 2021 at 10:52

An opera that faces up to its difficult subject matter ‘all pipes blasting’

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