Posts by Gabriel Wilding
Albion, Almeida Theatre, stage review: ‘A beautiful parable for modern times’
Rupert Goold’s reprisal of Mike Bartlett’s family drama ‘does not have a single chink in its armour’
Read MoreGut, Barbican, stage review: ‘Thrilling, inquisitive and well-acted’
Frances Poet’s ‘razor-sharp’ family drama, performed by Guildhall graduates, avoids ‘black and white simplicity’
Read MoreGalactik Ensemble, Sadler’s Wells: ‘If all mime is this energetic, sign me up’
The French company’s show for London’s International Mime Festival mixes ‘incredible acrobatics with wry humour’
Read MoreBong Bong’s Manila Kanteen, Hackney Road: ‘Dishes that will astound a jaded London palette’
The new Filipino restaurant, which started life as a food truck, is a ‘marvel’
Read MoreThe Red Shoes, Sadler’s Wells, ballet review: ‘Lavish, beautiful and devilishly funny’
Matthew Bourne’s retelling of the classic film is full of ‘satirical and playful magic’
Read MoreTop Cuvée, Highbury: ‘Charming, lively evening filled with wine and flavour’
Chef and co-owner Brodie Meah’s restaurant is a stylish choice for both oenophiles and eco-warriors
Read MoreMarvin Khoo & Temple of Fine Arts, Sadler’s Wells: ‘Exceptional dance company conjures up myth and magic’
The Bharatanatyam ensemble dazzled audiences last month as part of Darbar Festival 2019
Read MoreDaffodil Mulligan, Shoreditch, food review: ‘Irish fine dining delivers clever flavours’
Michelin-starred chef Richard Corrigan brings a ‘magic touch’ to City Road
Read MoreAcosta Danza: Evolution, Sadler’s Wells: ‘Cuban dance troupe at its eclectic best’
After returning from a critically acclaimed world tour, Carlos Acosta and his cast light up the stage with new and existing work
Read MoreEmanuel Gat: Works, Sadler’s Wells, stage review: ‘Experimental dance without the pretension’
Choreographer Emanuel Gat creates ‘beauty in chaos’ in this collection of pieces
Read MoreAs You Like It, Barbican Theatre, stage review: ‘Brave but messy reinvention’
Kimberley Sykes’ take on the Shakespearean comedy feels ‘novel for the sake of it’
Read MoreThe Lovely Bones, Hackney Empire, stage review: ‘Slick look at life in all its shades’
Bryony Lavery’s adaptation of the bestselling novel shows ‘once again that theatre has a magic like nothing else’
Read MoreVassa, Almeida Theatre, stage review: ‘Classic family drama given a good shake’
Maxim Gorky’s dark comedy about power and greed, adapted with aplomb by Mike Bartlett, ‘rings as true today as it did in 1910’
Read MoreIvanov, Barbican Theatre, stage review: ‘A shining cast dimmed by technical flaws’
Theatre of Nations brought Anton Chekhov’s first full-length play to London in its original language – but subtitling issues resulted in confusion
Read MoreBoy Blue, Barbican Theatre: ‘Hip-hop dance troupe lacking its usual punch’
The Olivier Award-winning company’s latest show, REDD, deals with grief and betrayal, but ends up feeling ‘flat and emotionless’
Read MoreGiselle, Sadler’s Wells, ballet review: ‘Dark, twisted and imaginative’
Akram Khan’s interpretation of a classic is ‘utterly magical to behold’
Read MoreThe Doctor, Almeida Theatre: ‘High-calibre, unique drama that will leave you a changed person’
Robert Icke’s third collaboration with Juliet Stevenson, and his last outing as the theatre’s associate director, is ‘impeccable’
Read MoreJesus Christ Superstar, Barbican Theatre: ‘Modern, but with all the clout of the original’
Director Timothy Sheader’s fresh take on the classical Lloyd Webber musical ‘enthralls, appalls and innovates’
Read MoreThe Hunt, Almeida Theatre: ‘This show has it all’
This stage adaptation of the iconic Danish film is ‘slick, clever and near faultless’
Read MoreMaria Stuarda, The Old Church, opera review: ‘Revolutionary take on a sometimes distant art form’
OperaUpClose’s new production of Donizetti’s classic is ‘rich and heartbreaking’
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