Posts Tagged ‘Stage’
Athena, The Yard Theatre, stage review: ‘Snappy and violent tale set in the cutthroat world of competitive fencing’
Despite the show’s ‘lack of thrust’, playwright Gracie Gardner still manages to ‘strike at the heart’
Read MoreThe Game of Love and Chance, Arcola Outside, stage review: ‘A riotously good show’
An enjoyable romp, despite views on class and love that are ‘still solidly in the 1700s’
Read MoreOverflow, Sadler’s Wells, dance review: ‘A moving, breathing piece of creativity’
The Alexander Whitley Company produces a boundary-pushing show that is ‘more a total experience of art’
Read MoreEnglish National Ballet – Reunion, Sadler’s Wells: ‘Ballet is back and in a big way!’
The renowned company performs five pieces that are ‘imaginative, danced to perfection and unique’
Read MoreHymn, Almeida Theatre, stage review: ‘Writing at its most perceptive’
Adrian Lester and Danny Sapani shine in Lolita Chakrabarti’s play, which was live-streamed over a four-day run
Read MoreGood Grief, Original Theatre Online, stage review: ‘Tasteful exploration of our capacity for regrowth’
Blurring the line between a play and a film, this unique portrayal of loss is ‘sharp and biting’
Read MoreHackney theatre enlists scientists to investigate how to reduce virus transmission in arts venues
The Arcola teams up with Imperial College London for a project aimed at improving audience safety across the industry
Read MoreLeyla Nazli: ‘We can’t wait to bring people back together, safely’
The Arcola Theatre’s deputy artistic director on a ‘devastating’ year, plans for an outdoor venue, and an upcoming festival aimed at ‘rebuilding community bonds’
Read MoreArcola Theatre ‘back from brink’ as it reveals plans for its own outdoor stage
The Dalston institution, closed since March, says the new space is specially designed to meet coronavirus guidelines, with trial performances pencilled in for December
Read MorePloutos, The Space, stage review: ‘Whimsical romp drawing on Greek folk traditions’
This ‘droll moral parable’ was the first in a series of live plays at the Covid-secure Isle of Dogs theatre
Read MoreCoriolanus, National Theatre Live on YouTube, stage review: ‘Famous actors, punchy action and political turmoil’
Despite an impressive cast, this production, which is available to watch right now, lacks ‘grandness’
Read MoreTOM, Wilkie Branson, Sadler’s Wells Digital Stage, dance review: ‘Emotional, complex and unique’
Part of Sadler’s Wells Theatre’s online archive, this creative piece, put together by digitising 250,000 photographs, offers a ‘message of hope for the arts’
Read MoreTreasure Island, National Theatre Live, stage review: ‘All the childhood terror of the book’
This ‘masterful’ 2014 adaptation of the famous novel is ‘escapism, pure and simple’
Read MoreJane Eyre, National Theatre Live on YouTube, stage review: ‘Risk-taking spin on a Brontë classic’
With theatres closed, more and more shows are moving online. Our reviewer and his dog settled into the sofa to watch this ‘clever’ production at the National
Read MoreRevisor, Sadler’s Wells, dance review: ‘Using humour to expose the dark side of imperial bureaucracy’
Choreographer Crystal Pite and director Jonathan Young are a ‘partnership made in heaven’
Read MoreCoronavirus: Arcola Theatre suspends all performances and appeals for donations
The venue in Dalston warns its future is at risk but says it is ‘determined to survive’
Read MoreNo Show, Yard Theatre, stage review: ‘Slices of satire and silliness’
Christopher Green’s meta play ‘successfully explores the agony of the artist who must bare themselves to a room full of strangers’
Read MoreGut, Barbican, stage review: ‘Thrilling, inquisitive and well-acted’
Frances Poet’s ‘razor-sharp’ family drama, performed by Guildhall graduates, avoids ‘black and white simplicity’
Read MoreHackney playwright’s film wins Best Screenplay at illustrious Lift-Off awards
Tamara von Werthern ‘over the moon’ after picking up the gong at a ceremony at Pinewood Studios this month
Read MoreFalling In Love Again, King’s Head Theatre, stage review: ‘Thank goodness it is short’
Ron Elisha’s new play imagining the night before Edward VIII’s abdication is not a patch on the royal family’s real-life drama
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