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Posts by Gabriel Wilding

Three Crowns, Stoke Newington, food review: ‘Elevated pub grub with flamboyant little details’

By Gabriel Wilding | Friday 16 September 2022 at 11:42

Chef Ousmane Gaye and his team lift a classic afternoon at the boozer to new heights

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Both Sides of the Blade, film review: ‘A world of small rooms and bottled emotions’

By Gabriel Wilding | Tuesday 13 September 2022 at 12:48

Claire Denis’s romantic drama is an ‘interesting addition to the genre, but not a game-changer’

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Funny Pages, film review: ‘Oddball characters, single-minded goals and bitingly funny one-liners’

By Gabriel Wilding | Wednesday 7 September 2022 at 13:57

Squid and the Whale actor Owen Kline’s directorial debut is ‘impressive’

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Flat Earth Pizza, Cambridge Heath, food review: ‘A temple of careful, conscious and creative eating’

By Gabriel Wilding | Wednesday 31 August 2022 at 14:45

The restaurant makes a triumphant return to permanent digs with some ‘fresh magic’

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Seoul in a Bottle, Kraft Dalston, food review: ‘Stuck in the middle and confused’

By Gabriel Wilding | Wednesday 17 August 2022 at 12:28

Delays and awkward stand-offs put paid to an evening that began with promise

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South Pacific, Chichester Festival Theatre at Sadler’s Wells, stage review: ‘Come and revel in the power of love’

By Gabriel Wilding | Friday 12 August 2022 at 10:40

Daniel Evans’s ‘thoughtful’ adaptation of the Rodgers and Hammerstein classic brings it elegantly into the 21st century

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Patriots, Almeida, stage review: ‘A must-see for anyone worried about Europe’s future’

By Gabriel Wilding | Wednesday 20 July 2022 at 09:56

Peter Morgan’s masterpiece ‘deconstructs what patriotism means to Russians’

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Supa Ya Ramen, Kingsland Road, food review: ‘Mouth-slurping goodness’

By Gabriel Wilding | Wednesday 8 June 2022 at 15:27

Luke Findlay’s permanent venue is a ‘winner’

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Noci, Islington Green, food review: ‘Bubbling atmosphere but a lack of Italian flair’

By Gabriel Wilding | Tuesday 24 May 2022 at 13:33

There’s an impressive buzz around Louis Korovilas’s new venture, but it’s missing some individuality

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Daddy, Almeida Theatre, stage review: ‘Floundering in a sea of conflicting story arcs’

By Gabriel Wilding | Friday 22 April 2022 at 15:11

Jeremy O. Harris’s play has ‘undeniable beauty and skill’ but it is ‘simply too long and too busy’

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Caravel, Regent’s Canal, restaurant review: ‘Petite but perfectly formed offering’

By Gabriel Wilding | Friday 25 March 2022 at 11:54

The restaurant on a converted barge is ‘well worth the expense’

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La bohème, English Touring Opera, Hackney Empire, stage review: ‘Puccini is still master of the miserable’

By Gabriel Wilding | Thursday 10 March 2022 at 18:45

Despite a few ‘odd creative choices’, the classic opera’s ghoulish nature remains

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Patrick Watson, Jules Buckley & BBC Symphony Orchestra, Barbican, stage review: ‘A musical funhouse’

By Gabriel Wilding | Thursday 10 March 2022 at 10:40

Another example of why the Barbican’s pairing of popular music stars with classical orchestras works ‘so sublimely’

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Poulence La voix humaine, London Symphony Orchestra and Barbara Hannigan, Barbican, stage review: ‘Expansive talent’

By Gabriel Wilding | Tuesday 8 March 2022 at 10:14

Canadian conductor Hannigan shows why she is ‘such a unique force in classical music’

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Kontakthof, Tanztheater Wuppertal Pina Bausch, Sadler’s Wells, stage review: ‘Deeply funny and moving’

By Gabriel Wilding | Monday 7 February 2022 at 13:22

The late Bausch’s 1970s piece is still ‘theatrical gold’, even if the gender politics is outdated

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DakhaBrakha, Barbican, stage review: ‘Riotous explosion of colour and reinvention’

By Gabriel Wilding | Monday 7 February 2022 at 11:25

The Ukrainian folk band had the audience in the palm of their hands with a ‘frenetic blend of musical styles’

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Maxim Vengerov & Simon Trpčeski, Barbican, stage review: ‘Sweet, sweet music’

By Gabriel Wilding | Monday 7 February 2022 at 10:59

The acclaimed pair combine violin and piano to create a ‘transportive effect on the human heart’

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London Contemporary Orchestra: 24, Barbican, stage review: ‘Marathon concert offers an eye-opening view of music and humanity’

By Gabriel Wilding | Wednesday 19 January 2022 at 13:00

A day-long experience that saw the ‘old rules of theatre dissolve off the stage as the old rules of music were eroded on it’

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The Bourbon, Roman Road, food review: ‘Soul-warming gem’

By Gabriel Wilding | Monday 13 December 2021 at 13:48

Smokey meat and whiskey make for a ‘worthy addition to a road with an illustrious history’

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The Comedy of Errors, Barbican, stage review: ‘A Shakespeare classic reborn’

By Gabriel Wilding | Friday 3 December 2021 at 12:36

Often derided as the bard’s early ‘joke’ work, the famous farce is given a surprisingly smart update at the Barbican

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