Posts by Gabriel Wilding
Temper Shoreditch, food review: ‘Dark, deep and dangerous’
The barbecue chain’s new branch is a ‘palace to paleo god Carnivora’
Read MoreTriangle of Sadness, film review: ‘Searing dissection of wealth’
Ruben Östlund’s black comedy is a ‘gargantuan success with a knock-out cast’
Read MoreThe Cherry Orchard, The Yard Theatre, stage review: ‘Space drama that never quite gets into orbit’
Vinay Patel’s reimagining of the Chekhov classic is ‘weighed down by its own ambition’
Read MoreThree Crowns, Stoke Newington, food review: ‘Elevated pub grub with flamboyant little details’
Chef Ousmane Gaye and his team lift a classic afternoon at the boozer to new heights
Read MoreBoth Sides of the Blade, film review: ‘A world of small rooms and bottled emotions’
Claire Denis’s romantic drama is an ‘interesting addition to the genre, but not a game-changer’
Read MoreFunny Pages, film review: ‘Oddball characters, single-minded goals and bitingly funny one-liners’
Squid and the Whale actor Owen Kline’s directorial debut is ‘impressive’
Read MoreFlat Earth Pizza, Cambridge Heath, food review: ‘A temple of careful, conscious and creative eating’
The restaurant makes a triumphant return to permanent digs with some ‘fresh magic’
Read MoreSeoul in a Bottle, Kraft Dalston, food review: ‘Stuck in the middle and confused’
Delays and awkward stand-offs put paid to an evening that began with promise
Read MoreSouth Pacific, Chichester Festival Theatre at Sadler’s Wells, stage review: ‘Come and revel in the power of love’
Daniel Evans’s ‘thoughtful’ adaptation of the Rodgers and Hammerstein classic brings it elegantly into the 21st century
Read MorePatriots, Almeida, stage review: ‘A must-see for anyone worried about Europe’s future’
Peter Morgan’s masterpiece ‘deconstructs what patriotism means to Russians’
Read MoreSupa Ya Ramen, Kingsland Road, food review: ‘Mouth-slurping goodness’
Luke Findlay’s permanent venue is a ‘winner’
Read MoreNoci, Islington Green, food review: ‘Bubbling atmosphere but a lack of Italian flair’
There’s an impressive buzz around Louis Korovilas’s new venture, but it’s missing some individuality
Read MoreDaddy, Almeida Theatre, stage review: ‘Floundering in a sea of conflicting story arcs’
Jeremy O. Harris’s play has ‘undeniable beauty and skill’ but it is ‘simply too long and too busy’
Read MoreCaravel, Regent’s Canal, restaurant review: ‘Petite but perfectly formed offering’
The restaurant on a converted barge is ‘well worth the expense’
Read MoreLa bohème, English Touring Opera, Hackney Empire, stage review: ‘Puccini is still master of the miserable’
Despite a few ‘odd creative choices’, the classic opera’s ghoulish nature remains
Read MorePatrick Watson, Jules Buckley & BBC Symphony Orchestra, Barbican, stage review: ‘A musical funhouse’
Another example of why the Barbican’s pairing of popular music stars with classical orchestras works ‘so sublimely’
Read MorePoulence La voix humaine, London Symphony Orchestra and Barbara Hannigan, Barbican, stage review: ‘Expansive talent’
Canadian conductor Hannigan shows why she is ‘such a unique force in classical music’
Read MoreKontakthof, Tanztheater Wuppertal Pina Bausch, Sadler’s Wells, stage review: ‘Deeply funny and moving’
The late Bausch’s 1970s piece is still ‘theatrical gold’, even if the gender politics is outdated
Read MoreDakhaBrakha, Barbican, stage review: ‘Riotous explosion of colour and reinvention’
The Ukrainian folk band had the audience in the palm of their hands with a ‘frenetic blend of musical styles’
Read MoreMaxim Vengerov & Simon Trpčeski, Barbican, stage review: ‘Sweet, sweet music’
The acclaimed pair combine violin and piano to create a ‘transportive effect on the human heart’
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