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Free Cakes for Kids charity enlists masterchef champion as new patron

By Hackney Citizen | Monday 14 April 2014 at 15:27

Self-proclaimed ‘girl from Hackney that did good’ Natalie Coleman fronts group’s annual fundraiser

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Wuthering Heights – review

By East End Review | Monday 14 April 2014 at 09:18

Strong performances and clever staging bring to life Cathy and Heathcliff’s turbulent love in this faithful adaptation of Emily Brontë’s novel Wuthering Heights

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Masters of the Airwaves: The Rise and Rise of Underground Radio – review

By East End Review | Friday 11 April 2014 at 15:21

Masters of the Airwaves tells the story of the birth of black music radio in the UK through interviews with the people who were there

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Dishoom – review

By East End Review | Friday 11 April 2014 at 15:07

Dishoom models itself on the traditional Bombay cafes, and is named after the Bollywood sound effect for landing a punch

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Merchants Tavern – review

By East End Review | Friday 11 April 2014 at 14:51

Cocktails and fine dining ensure Merchants Tavern delivers the goods

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How We Used to Live: a love letter to London

By East End Review | Friday 11 April 2014 at 14:25

Author Travis Elborough from Stoke Newington helped to write this poetic documentary looking at London past and present

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Grimm Tales for Young and Old – review

By East End Review | Friday 11 April 2014 at 13:47

Shoreditch Town Hall hosts Philip Pullman’s adaptation of the Brothers Grimm’s classic fables

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Fernando Messulam: the restaurant owner with a 'steak' in opera

By East End Review | Friday 11 April 2014 at 13:27

Restaurant manager and tenor Fernando Messulam indulges his passion for music by holding monthly opera night

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New base for Mildmay hospital that combats stigma around HIV

By Hackney Citizen | Friday 11 April 2014 at 12:29

Times are changing for the historic organisation with the opening of its new home next month

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Polish grub puts Eastern European nation in pole position in food stakes

By Hackney Citizen | Friday 11 April 2014 at 12:11

But why are there so few London eateries specialising in the Eastern European cuisine?

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Yesodey Hatorah Girls’ School warned not to redact exam questions

By Hackney Citizen | Friday 11 April 2014 at 11:52

Orthodox Jewish school found to have blacked out GCSE science paper on grounds of ‘sensitivity’

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Yoko Ono? Oh yes!

By East End Review | Friday 11 April 2014 at 11:51

Sixties icon Yoko Ono played to a full house at Dalston’s Cafe Oto last month

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Interview: Hackney Child author tells of experiences growing up in care

By Hackney Citizen | Friday 11 April 2014 at 11:20

‘It’s much easier to build resentment on the care system than it is on your parents,’ says Jenny Molloy

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Record Store Day vinyl countdown in Shoreditch

By East End Review | Friday 11 April 2014 at 11:19

Secret 7″, the charity initiative in which original Vinyl artwork is sold off for charity, is set to be one of this year’s highlights

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Election 2014: wards to watch, fact-checking and your chance to quiz mayoral candidates

By Hackney Citizen | Friday 11 April 2014 at 10:38

Get the lowdown on this year’s trio of elections

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Parkour life – opening of new academy in Docklands

By East End Review | Friday 11 April 2014 at 10:29

French sport that’s all about getting from A to B in the most efficient possible way handed new London facility in Trinity Buoy Wharf

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My Stuff – review

By East End Review | Friday 11 April 2014 at 10:16

Finnish docudrama is shown at at The Proud Archivist as part of Cinémathèque, a film night of distinctive world cinema

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Banksy: The Room in the Elephant – review

By East End Review | Friday 11 April 2014 at 08:01

Arcola theatre hosts play about a homeless man who is evicted from his temporary shelter after a Banksy daub makes it a work of art

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Eldorado – review

By East End Review | Thursday 10 April 2014 at 22:49

How would a Western power deal with being on the receiving end of war asks Eldorado by Marius von Mayenburg

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The Nine O'Clock Slot – review

By East End Review | Thursday 10 April 2014 at 22:12

Ambitious play highlights the propensity of ‘paupers’ funerals’ in London and the anonymity of those left to die alone

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