Posts by Sarah Birch
Intersectional Grammar: Trees, Hackney Gallery, exhibition review: ‘Stop by this virtual forest’
The Lower Clapton venue has put on a display of arboreal photography to mark National Tree Week
Read MoreBleeding Fabulous, Mark Ward, book review: ‘A heart-warming but cautionary tale’
This memoir of a haemophiliac caught up in the NHS’s infected blood scandal is ‘remarkable’
Read More‘We have the ultimate Dame!’: King’s Head boss on new digs, nurturing talent, and its first full-blown panto
Sofi Berenger spoke to the Citizen ahead of a star-studded run of ‘Cinderella’ at the theatre’s new auditorium
Read MoreMarket Day, Paul Trevor, book review: ‘Real-world theatre’
The photographer’s exploration of East London’s street markets is ‘impressive’
Read MoreIn the Footsteps of the East London Group, Nunnery Gallery, exhibition review: ‘A fascinating collection’
Juxtaposing older paintings of East London with modern ones of the same area ‘breathes new life’ into all of them
Read MoreThe Imaginary Institution of India, Barbican, exhibition review: ‘Sure to open eyes and touch hearts’
This collection of 150 works by 30 Indian artists is impressive in its ‘sheer variety’
Read MorePurim in Hackney, Neil Martinson, book review: ‘Rare insight into humour of orthodox communities’
This 25-photo collection is ‘delightful’
Read MoreColin O’Brien: Photographer, Chats Palace, exhibition review: ‘At once realist and lyrical’
The display in Homerton ‘reminds us how much of the public realm has been lost to contemporary lifestyles’
Read MoreSimnikiwe Buhlungu: hygrosummons (iter.01), Chisenhale Gallery, exhibition review: ‘A meditation on water’
The South African artist’s first solo show ‘reminds us how little we control the natural world’
Read MoreEncounters with James Baldwin: Celebrating 100 Years – review
‘The place in which I’ll fit will not exist until I make it’
Read MoreGoodbye Mr Coffee, Courtyard Theatre, Camden Fringe, stage review: ‘Delicately-written drama’
The first production from De Beauvoir’s Brian Voakes is ‘at once relective and humorous’
Read MorePeter Kennard: Archive of Dissent, Whitechapel Gallery, exhibition review: ‘Fury made sublime’
This retrospective of Kennard’s work is ‘bound to stir thoughts of your own role in the political’
Read MoreA History of the East End, Chris Dorley Brown, book review: ‘Stands out from the crowd’
Dorley Brown’s photographs show East London in ‘all its beauty and grime’
Read MoreFrancis Alÿs: Ricochets, Barbican, exhibition review: ‘Youthful inventiveness’
The artist’s exploration of children’s play ‘yields rich documentation of their resilience’
Read MoreCedric Christie: Oblivious to Your Own Career, Rocket Gallery, exhibition review: ‘Subtle reflections on form and colour’
Christie, a trained welder, ‘draws tremendous grace from everyday materials’
Read MoreJock McFadyen: Made in Hackney 2, The Grey Gallery, exhibition review: ‘The outside world as a sensory force’
The painter’s new show in London Fields offers paintings you can get lost in
Read More‘We need more social housing’: Photographer Tom Hunter on Hackney’s evolution and the threat of ‘monoculture’
The artist, who lives and works locally, was speaking as his new exhibition went on display in London Fields
Read MoreArtists Gilbert & George on life in East London, sensationalism, and the success of their gallery
The pair spoke to the Citizen after unveiling new artworks to celebrate the first anniversary of the Gilbert & George Centre
Read MoreAndrew Pierre Hart, Whitechapel Gallery, exhibition review: ‘Sensory landscape of the streets just outside the walls’
Andrew Pierre Hart’s Whitechapel show engages the local area in a way that’s both intimate and readily recognisable
Read MoreChild Migrant Voices in Modern Britain, Eithne Nightingale, book review: ‘Unique perspectives on how we live’
Nightingale’s sensitive collection of people’s stories is ‘remarkable for its sheer diversity’
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